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Frutiger Pro Condensed LT Pro Light Cn Ita

Frutiger Pro Condensed LT Pro Light Cn Ita fuente

Licencia: Pagado

Autor: Linotype

Idiomas: latín

Etiquetas: grotesco, moderno, sans, sans-serif, web

Ejemplo de fuente Frutiger Pro Condensed LT Pro Light Cn Ita

Información de fuentes

Hemos recopilado toda la información más importante sobre la fuente Frutiger Pro Condensed LT Pro Light Cn Ita. A continuación se muestra una tabla sobre la versión del archivo de fuente, la licencia, los derechos de autor, el diseñador y el nombre del proveedor. La información se toma del archivo de fuente "TTF".

Nombre de la familia de fuentes	Frutiger Pro 48 Light Condensed Italic
Nombre de la fuente	Frutiger Pro 48 Light Condensed Italic
nombre del estilo	48 Light Condensed Italic
Identificador de fuente	com.myfonts.easy.linotype.frutiger.pro-48-light-condensed-italic.wfkit2.version.53GL
Versión de fuente	1.02
Marca comercial	Frutiger is a trademark of Monotype Imaging Inc. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.
Diseñador	Adrian Frutiger
Enlace de diseñador	http://www.monotype.com
Enlace al vendedor (proveedor)	http://www.monotype.com
Fabricante	Monotype Imaging Inc.
Derechos de autor	Copyright © 2014 - 2016 Monotype Imaging Inc. All rights reserved.
Descripción	In 1968, Adrian Frutiger was commissioned to develop a sign and directional system for the new Charles de Gaulle Airport in Paris. Though everyone thought he would want to use his successful Univers font family, Frutiger decided instead to make a new sans serif typeface that would be suitable for the specific legibility requirements of airport signage: easy recognition from the distances and angles of driving and walking. The resulting font was in accord with the modern architecture of the airport.In 1976, he expanded and completed the family for D. Stempel AG in conjunction with Linotype, and it was named Frutiger. The Frutiger family is neither strictly geometric nor humanistic in construction; its forms are designed so that each individual character is quickly and easily recognized. Such distinctness makes it good for signage and display work. Although it was originally intended for the large scale of an airport, the full family has a warmth and subtlety that have, in recent years, made it popular for the smaller scale of body text in magazines and booklets.